COAGULA
Bachelor's cycle, 2005–2007
16 min., BW & color, silent, 16 mm
Text: PDF
Coagula exists in three modalities: as a fifty-page essay, as a structural score, and as a 16 mm positive film print. None of these modalities is superior to the others; the cycle can only be understood through the encounter of all three. Its central question is simple: what is film? I approach this question through a set of interrelated artifacts. The four parts examine the key elements of the cinematographic chain. Gessoing of Canvas / Šepsování plátna addresses the screen, Projectionist Adalbert Levý / Promítač Adalbert Levý the projector and the projectionist, And It Travels Unmixed / A bez příměsi putuje the relation between negative and positive stock, between the light of the projector and the darkness of the camera, and Into Infinity, a Voussoir / Do nekonečna klenák the reality before the camera. The cycle moves between conceptual and structural film while remaining deeply informed by alchemy and the work of the Opus Magnum.
Structural Scores:
Gessoing of Canvas / Šepsování plátna
Projectionist Adalbert Levý / Promítač Adalbert Levý
Sweater Pattern for Knitting, World Pattern
And It Travels Unmixed / A bez příměsi putuje
Into Infinity, a Voussoir / Do nekonečna klenák